15 movies

Books shouldn’t get all the love! 15 movies that stick with you, not necessarily the movies you feel are the best made. We’re talkin’ the ones that have become part of you, that come directly to mind when you think about film. Tell or tag other people if you want, I never do.

1. Blade Runner. After watching this I feel like I’VE seen attack ships off the shoulder of Orion.
2. Amelie. My love for this movie know no limit. It’s what I think life should be like.
3. Monty Python and the Holy Grail. Honestly, I wish I could erase it from my memory. I’ve seen it TOO many times.
4. Casablanca. Love, courage, greed, friendship, patriotism, fear, cunning. They’ve never been done better.
5. The Professional. Works as an action movie and as an unusual buddy movie–look, a kid who’s neither cutesy nor a full-time hostage!
6. Unforgiven. What a peculiar way to begin a movie–with a title card about events in the hero’s prior life that have no direct bearing on the plot. It reads “She was a comely young woman and not without prospects. Therefore it was heartbreaking to her mother that she would enter into marriage with William Munny, a known thief and murderer, a man of notoriously vicious and intemperate disposition. When she died, it was not at his hands as her mother might have expected, but of smallpox. That was 1878.When you reach the end, it makes perfect sense.
7. The Dresser. Amazing performances in a movie that’s mostly about just two actors, Albert Finney and Tom Courtenay. There’s so much going on here about the price of dedication, making a place for one’s self in a frightening world, and the ravages of age.
8. The Breakfast Club. Teenage frustration and isolation has never been depicted so well in film. I still find this movie hard to watch.
9. Star Wars. In fairness, the way this movie has stuck with me might be because I had a) a soundtrack album with much of the dialogue, b) Star Wars bedsheets, and c) a significant number of action figures.
10. Barton Fink. Not one of the Coen Brothers’ best known movies, but one that bears repeated watching and thought. The Coens’ antipathy towards their protagonists is well balanced hear with real sympathy for Fink’s plight(s).
11. Silence of the Lambs. It’s a textbook example of how to adapt a novel to a screenplay and one of Hollywood’s best-ever thrillers. It remains the only movie I’ve ever watched twice in one day, the first day I rented the tape.
12. My Neighbor Totoro. There’s almost no tension or conflict in this film, but its charm and imagination never falter.
13. The Princess Bride. Like it says on the box–“Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles…”
14. Wings of Desire. Dreamlike, challenging, and unusual, but never pointless or self-indulgent. Its optimism and quiet passion never fail to move me.
15. Aliens. That’s how you make a sequel. You take the compelling setup you inherited, give it an utterly different genre spin from the original, spend a giant Hollywood budget, and have the courage to give the world a woman as real action hero.

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